Tom Jones (1963) - Critical Reviews

Synopsis

In eighteenth-century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western nonetheless liked before he knew that Tom liked Sophie. Based on half truths, Tom, out of circumstance, is forced to leave his home and strike out on his own in London. While Sophie sneaks away in search of Tom, and Squire Western and Miss Western go off in search of Sophie, Tom gets into one misadventure after another on his way to London, some involving his randiness, and some which will reveal certain aspects of his life previously unknown to him. Through it all, Sophie, deep down, is never far from his mind, even when his life is in danger.

Critical Acclaim

The 1963 release of Tom Jones marked a vibrant addition to British cinema, receiving widespread critical acclaim for its innovative style and comedic charm. Critics praised the film's fresh, irreverent approach to the period genre, highlighting director Tony Richardson's dynamic storytelling and the film's playful narrative techniques, such as breaking the fourth wall. The film's energetic pace and lively performances, especially Albert Finney's charismatic portrayal of the titular character, were celebrated as refreshing departures from traditional costume dramas.

In his review for The New York Times, Bosley Crowther described Tom Jones as "a rollicking, bawdy film that is as fresh and vital as the day Henry Fielding's novel was published." Time magazine noted the film's "infectious zest and wit," appreciating its ability to balance humor with a biting critique of 18th-century British society. Modern audiences continue to embrace the film, with Tom Jones maintaining a strong approval rating on Rotten Tomatoes, a testament to its enduring appeal and comedic brilliance.

Tom Jones left a lasting impact on the film industry, influencing the style and tone of subsequent period films. It won four Academy Awards, including Best Picture, and was a significant commercial success. The film's innovative techniques and spirited performances have cemented its place in cinematic history, influencing filmmakers like Richard Lester and inspiring adaptations of classic literature with a modern twist. Its legacy endures as a benchmark in British cinema, celebrated for its bold narrative style and lively execution.