The Apartment (1960) - Critical Reviews

Synopsis

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

Critical Acclaim

Upon its release in 1960, The Apartment was met with widespread critical acclaim, recognized for its blend of comedic elements and poignant social commentary. Directed by Billy Wilder and starring Jack Lemmon and Shirley MacLaine, the film was praised for its sharp script and the chemistry between the leads. Critics lauded Wilder's ability to tackle adult themes with a deft touch, and the film was considered a standout for its time, addressing issues of corporate ambition and personal integrity with humor and heart.

Bosley Crowther of The New York Times hailed it as "the most brilliant comedy of the year," praising Wilder's "sardonic wit" and Lemmon's "winning performance." Time magazine lauded the film's "inventive direction and smart dialogue," emphasizing its unique blend of humor and drama. In the decades since its release, The Apartment has maintained its critical prestige, holding a 94% approval rating on Rotten Tomatoes, with modern critics appreciating its timeless narrative and the nuanced performances of its cast.

The Apartment left an indelible mark on cinema, winning five Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. It was one of the first films to combine the romantic comedy and drama genres effectively, influencing countless films in the decades that followed. The American Film Institute has consistently included it in its lists of the greatest American films, underscoring its continued relevance and impact on both audiences and filmmakers. Its legacy endures as a masterful exploration of personal and professional dilemmas, set against the backdrop of a rapidly changing society.