The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park are all about status, Mrs. Park has a flighty, simpleminded mentality and temperament, which Min tells Ki-woo to feel comfortable in lying to her about his education to get the job. In getting the job, Ki-woo further learns that Mrs. Park is looking for an art therapist for the Parks' adolescent son, Da-song, Ki-woo quickly recommending his professional art therapist friend "Jessica", really Ki-jung who he knows can pull off the scam in being the easiest liar of the four Kims. In Ki-woo also falling for Da-hye, he begins to envision himself in that house, and thus the Kims as a collective start a plan for all the Kims, like Ki-jung using assumed names, to replace existing servants in the Parks' employ in orchestrating reasons for them to be fired. The most difficult to get rid of may be Moon-gwang, the Parks' housekeeper who literally came with the house - she Namgoong's housekeeper when he lived there - and thus knows all the little nooks and crannies of it better than the Parks themselves. The question then becomes how far the Kims can take this scam in their quest to become their version of the Parks.
Upon its release in 2019, Parasite garnered widespread critical acclaim and quickly became a cultural phenomenon. Directed by Bong Joon-ho, the film was praised for its genre-defying narrative and incisive social commentary. Critics highlighted the film's ability to seamlessly blend elements of dark comedy, thriller, and drama, creating a unique cinematic experience that resonated with audiences worldwide. The film premiered at the Cannes Film Festival, where it received a standing ovation and was awarded the prestigious Palme d'Or, marking it as a standout achievement in contemporary cinema.
In reviews, critics lauded Parasite for its intricate storytelling and sharp critique of social inequality. Justin Chang of the Los Angeles Times called it "a nerve-racking masterpiece," while Manohla Dargis of The New York Times praised its "brilliant, disturbing" depiction of class division. On Rotten Tomatoes, the film holds an impressive 99% approval rating, reflecting its sustained critical admiration. The film's success was attributed to Bong Joon-ho's masterful direction and the exceptional performances by the ensemble cast, including Song Kang-ho and Cho Yeo-jeong.
Parasite's impact extended beyond its initial release, leaving a lasting legacy in the film industry. It became the first South Korean film to win the Academy Award for Best Picture, also earning Oscars for Best Director, Best Original Screenplay, and Best International Feature Film. Its success opened doors for non-English language films in global markets and inspired discussions about economic disparity and social mobility. The film's influence is evident in its continued presence in discussions about the evolution of cinema and its role in reflecting societal issues.
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